Showing posts with label creativity. Show all posts
Showing posts with label creativity. Show all posts

Oct 1, 2023

Bring the lightning.

Quality is a slippery notion, especially when discussing it with those whose ethical approaches to providing services are even slipperier. According to one well-known figure in the trashlation sector, "Quality doesn't matter". Knowing that individual as I do, I know that this utterance was intended as a provocation, and that it is likely backed by some almost-persuasive sleight-of-hand involving differing definitions and whatnot. Given the variability in the human emotional perception of quality (as with obscenity, I cannot define quality, but I know it when I experience it), all of the attempts one sees to quantify it in language services seem all the more absurd.

All the myriad process definitions, ISO certifications, stamps and seals of sinlessness, diplomata, grants of honoris causa et cetera cannot transform the humble lightning bug into a Bolt of Zeus.

Nor are Large Language Models (LLMs) capable of such linguistic transubstantiation, but rather the opposite. The predictive practices at their core could take a training feed of all the world's great literature (and likely already have), and yet the output would be nothing more than an insipid averaging of the basest mediocrities. Only the basest of the mediocre could mistake such text for objectively good quality.

Were we to plot the degree of enthusiasm for AI as the "future" of trashlation against the degree of actual understanding and competence for good language, the graph would look something like this:

But a recent article in The Economist suggests a better way. Curiously, it is a process I resort to myself when the greatest subtlety and balance are needed in a work, for example in the translation of good poetry, or a letter of condolence occasioned by the loss of a belovèd child.

Back to pen on paper. Where the pressure of the nib is an expression in itself, as the sweeping flourish of a final letter or a well-executed ligature.

"But that's ABSURD!!!" some might protest, glancing nervously at their smartphone timers counting down to the next due delivery of linguistic sausage. Much too slow some might think. But is it? Really?

"But you need to run QA and you can't do that with a sheet of scribbles on paper!" some might suggest, more reasonably. Ah, but I can, merely dictate the text I will have read aloud already time and again as I refined the words and their rhythm, and then, in good electronic form, all the slings and arrows of outrageous regex are my quality arsenal.

We have a slow food movement. Perhaps if we want more delicious, digestible, properly communicative words in our translated lives, we should slow the fuck down and let them crystallize, with exquisite subconscious fractal creativity, to form bolts of emotion and understanding that pierce the veil between this world and others as they flash across a page.

As the morlocks cower in their caves and hovels, tapping tiny tablets in their claws, prompting their artificial gods to take this terror of meaning from their shriveled world.

Feb 24, 2013

The Master's voice (with video)

Of all the early influences on my reading habits and thoughts about writing, Ray Bradbury was probably the least. The man's sheer popularity put me off. And his damned cheerfulness. It would have been easy enough to meet him and chat, but my "father's generation" of writers (that is, the ones he grew up on and who still lived) intimidated me just a bit. I had a fine afternoon on a bench once with A.E. van Vogt, not realizing who he was. But Ray? Well, no mistaking him. Call me an idiot and I'll agree. The sheer joy of the man speaks so loudly and clearly what I feel when I write and translate; his call to "surprise yourself" is my best practice, and I understand too well the poisoned siren call of money which he warns to avoid.

"Live in the library, live in the library, for Christ's sake!" Listen to the first ten minutes where he expounds on the hygiene of writing (and think of MT post-editing!!!) or spend a worthwhile hour to give this Master who has passed from among us the full attention his words deserve!

Jul 17, 2010

Road kill in the fast lane

Life in the fast lane
Surely make you lose your mind
Life in the fast lane, everything all the time

-- From the Eagles' song (c) 1976 

It's a bit frightening how the theme of a silly pop song inspired by an out-of-control ride with a drug dealer has become a description of the reality of life for too many today. Everything all the time. Always connected, always available, 24/7 at work and at your service. For what?

Certainly not for quality and even less for mental and physical health.

Bob Herbert, a New York Times columnist, advises that we "tweet less and kiss more". I couldn't agree more. Now if only I can convince my lady of that....

This post was originally inspired as a response to or affirmation of Corinne McKay's commentary on the importance of downtime. In it she referenced an article from Science which described how time off and rest is essential to creativity.

My own experience has had numerous incidents that illuminate the role of rest in creativity and productivity. My start as a programmer of scripted applications for the Macintosh years ago came after I told a friend that a jigsaw puzzle would be too difficult to program on the Mac for her three year old. I shut off the computer, went to sleep and woke up at 3 am with all the code dancing in my head. Hyperpuzzle was born and enjoyed some use in rehabilitation and recreation with image sections scrambled, rotated and mirrored through two axes. My invention of the first UV-blocking silicone material for intraocular lenses came from an inspiration I had while nodding off in a really boring organic chemistry lecture at USC. Patentable breakthroughs in my research with radiation-curable adhesives came when I blew off the lab and went home to wash dishes or wander the halls of the LA County Natural History Museum and look at dinosaur bones.

The list of evidence is much longer than that, more likely because I'm getting old and not because I'm more creative than my peers. (I'm not, but I am slightly less crazy than some.) Very little work of which I am proud has resulted from a frontal assault on the problem. Rested, indirect paths inevitably lead to a better result.

This holds true in translation too. Am I the only one who finds that a text flows better and my translation has more rhetorical polish in the first draft than it would after two re-writes if I just walk away from it for a while and look again with fresh eyes? Or am I the only one who sees the deadline-driven mass production quality-be-damned-MT-will-soon-be-good-enough approach to translation as a deeply poisonous thing?

If you have no work, a deadline isn't usually a bad thing, and schedules are important and unavoidable to plan our activities in some reasonable way. But too seldom is a distinction made between important and arbitrary deadlines. To one person "important" might mean having the translation on the day before he leaves on holiday so he can lie rested on the beach for a month knowing that the text is awaiting him upon return. Or perhaps the person assigning the job can demonstrate great efficiency and competence and impress her boss by having another person turn the translation around a week sooner than she might be able to do with her busy days. No explanted heart on ice here awaiting the translation of instructions for how to implant it in the patient lying on the operating room table now.

If you have work - lots of it - and do not have the wisdom to leave off calculating all your time as a financial asset, you may eventually find the value of that time deteriorating in proportion to how much of it you invest in work. At extreme levels of commitment that deterioration appears to follow an exponential function.

Quality is worth its price. Rest promotes quality. Work less and charge more. Discerning customers will be grateful.